Indigenous and anti-racist methodologies

This new semester begins for many Universities with a ‘scholar strike,’ an action to draw attention to the Black Lives Matter movement, but also to all forms of racism and the privilege that many Whites have in relation to others, referred to collectively as BIPOC. (Black, Indigenous, People of Colour). This strike is meant to be a continuation of the need to undo Indigenous invisibility, anti-Blackness, dismantle white supremacy and advance racial justice.

Within research this can mean a number of things: listening to and learning about Indigenous research methodologies, reading research conducted by BIPOC, learning to talk, write, and review research in inclusive ways.

Indigenous methodologies

There is a growing body of literature on Indigenous research methodology, easily accessible through various search engines. Here, I want to simply introduce some initial thoughts about how an Indigenous research methodology may differ from other research methodologies.

Cora Weber-Pillwax suggests these basic principles that characterize Indigenous research methodology:

(a) the interconnectedness of all living things,

(b) the impact of motives and intentions on person and community,

(c) the foundation of research as lived indigenous experience,

(d) the groundedness of theories in indigenous epistemology,

(e) the transformative nature of research,

(f) the sacredness and responsibility of maintaining personal and  community integrity,

(g) the recognition of languages and cultures as living processes.

An Indigenous research agenda might look something like this:

Indigenous Epistemology

As with all research, presumptions about knowledge (epistemology), reality (ontology), and values (axiology) are foundational. In general, discussions of these foundations has been couched in long standing Euro-centric views. Even though many views on interpretive and critical research may accommodate an Indigenous worldview (for example, a social constructionist epistemology privileges inter-subjectivity and human connection) most nonetheless are inadequate for fully capturing this way of seeing and being in the world.

Key aspects of Indigenous epistemologies are relationality (we are all related to each other, to the natural environment, and to the spiritual world, and these relationships imply interdependencies), the interconnection between sacred and secular, and holism (everything is related and cannot be separated, and thus wholes must be maintained for understanding)… what Weber-Pillwax calls the “interconnectedness of all living things.”

Notions of Indigenous pedagogy are intertwined in Indigenous epistemology as learning (knowledge sharing) occurs through the process of observing and doing, and by interacting over long periods of time with elders in a natural environment. This learning process is subtle and unobtrusive and in non-Indigenous eyes it may not even be recognized as learning.

 

 

 

There are a growing number of global resources to guide recognition, understanding and valuing Indigenous knowledge, including the Principles & Guidelines for the Protection of the Heritage of Indigenous People and Science for the Twenty-first Century. Most university libraries, including UBC, have relatively easy portals for accessing books, articles, and resources on Indigenous research methodologies. (UBC portal)  See also, Marie Battiste’s literature review on Indigenous epistemology and pedagogy.

Anti-racist methodologies

There has been for some time a growing awareness of putting race at the centre of research projects, methodologies and theoretical approaches. Critical Race Theory asserts “racial inequality emerges from the social, economic, and legal differences that white people create between “races” to maintain elite white interests in labour markets and politics, giving rise to poverty and criminality in many minority communities. The CRT movement officially organized itself in 1989, at the first annual Workshop on Critical Race Theory, though its intellectual origins go back much further, to the 1960s and ’70s.” (Source) CRT as an orientation was coined by Kimberlé Crenshaw and originated as a legal movement to challenge and shift race paradigms in the US.

Anti-racist research is generally situated within a critical research theoretical perspective  given the focus on differential access to power for minoritized people seen through the lens of race, class, gender, and sexuality. Anti-racist research is not content with describing and understanding differences, but intends to understand, challenge and change values, beliefs and actions that sustain systemic racism.

Anti-racist research methodologies include critical ethnography, critical discourse analysis, critical narrative inquiry, and Indigenous research methodologies with attention to the relational aspects of research, that is, doing research with, not on, BIPOC.

Inclusive, anti-racist writing & knowledge representation

The new semester begins for many Universities with a ‘scholar strike,’ an action to draw attention to the Black Lives Matter movement, but also to all forms of racism and the privilege that many Whites have in relation to others, referred to collectively as BIPOC. (Black, Indigenous, People of Colour). This strike is meant to be a continuation of the need to undo Indigenous invisibility, anti-Blackness, dismantle white supremacy and advance racial justice.

Within research this can mean a number of things: listening to and learning about Indigenous research methodologies, reading research conducted by BIPOC, learning to talk, write, and review research in inclusive ways.

Inclusive, Anti-Racist Writing

Representation of knowledge is often overlooked as a critical element of research and when we adopt taken for granted ways of writing, representing and publishing we ignore the growing concerns for BIPOC. One place to start is with this book by Gregory Younging wherein he develops a principled way of writing about and writing from within an Indigenous worldview.

Younging elaborates on this set of ideas for writing and publishing:

1. Avoid using the past tense when you write about Indigenous Peoples.

Indigenous Peoples are not a historical phenomenon; they have not been assimilated into Canadian culture and they have not lost their own rich, distinct cultures. Indigenous Peoples are diverse, authentic, empowered and current.

2. Do not use language which props up the colonial idea that Indigenous Peoples are incapable of taking care of things themselves.

This manifests itself in language that implies Indigenous Peoples have no agency.

3. Do not use the possessive when talking about the Indigenous Peoples who live in a country.

Canada doesn’t “own” the First Nations, Métis or Inuit Peoples who live in what is now called Canada.

4. Do not whitewash Indigenous Peoples out of history.

5. Think about Indigenous Knowledge as holding its own copyright.

Give Oral Traditions and Traditional Knowledge the same weight and respect as printed texts. You need to ask for permission before reprinting Oral Traditions and Traditional Knowledge, exactly as you would with written texts.

6. Be prepared for consultation to take time.

Be aware that no one person is able to give permission; if copyright is held by a Nation, then there needs to be a proper consultation practice about sharing.

7. Collaborate and seek permission when writing about Traditional Knowledge.

If you’re writing about Indigenous People then contact them and discuss what you’d like to do. Be aware that Indigenous Protocols — which are more formal than “customs” — need to be adhered to, and often it may not be appropriate to write about matters which have sacred significance, or perhaps contain stories which may only be told by women, men, or at a particular time of the year.

8. Do not repeat inaccurate and offensive material.

9. Always choose Indigenous Style.

Capitalization may not be where you’d expect to see it. Use Indigenous style: Aboriginal, First Nations, Indigenous, Elder,  Longhouse, Clan, and so on.

10. Respect Elders.

Be aware of the important role of Elders within Indigenous societies and their role as holders of Traditional Knowledge and as community advisors.

11. Recognize and respect distinct and diverse Indigenous Peoples.

The Indigenous population in Canada is made up of Inuit, Métis, and some 634 different First Nations. Each has their own distinct Traditional Knowledge, culture and heritage. Avoid writing about ‘First Nations’ as though they are a homogenous group; instead, be specific and ask for people’s preferred self-declaration.

12. Understand Indigenous cultures do not need to be static to be authentic.

Indigenous Peoples are currently engaged in a period of cultural reclamation and rejuvenation. Indigenous cultures are dynamic and undergo natural change and adaptation, just like other cultures, and there are many manifestations of authentic indigeneity. This point is core to Thomas King’s work: The Inconvenient Indian and The Truth About Stories: A Native Narrative.

 

A very short note on mixed methods

The many guises of mixed methods…

Mixed methods are used when there are two or more types of:

➢ research questions
➢ sampling procedures
➢ data collection procedures
➢ data
➢ data analysis
➢ conclusions

It is relatively easy to mix methods at the methods level, i.e., when the intent is to collect both quantitative and qualitative data. This can be accomplished within a single method. For example, you might use observation as a method and use an inventory to record frequency of behaviours, interactions, and so on. You could also record dialogue or take field notes occurring during this same observation. But this strategy may also mean using a method that generates numbers (likert scale item survey) and a method that generates words (oral history interview).

With mixed methods often one or the other paradigm is primarily emphasized and often there is a sequential use of one then the other paradigm. This chart illustrates possible variations.

Mixed methods research wants to move beyond this simple distinction of types of data and the field makes an effort to elevate the idea to a methodology, even sometimes crossing the epistemological boundaries of objectivism and social constructivism. A research study that uses interviews and participant observation, for example, is now not necessarily considered mixed methods research. Whereas, a research study that uses hermeneutics and times series analysis would be a mixed methods study. These different contexts also suggest the “mixing” can occur at different places within the research process.

Justification for mixed methods…

A primary justification for mixed methods is pragmatism. (Read, for example, David Morgan’s argument for this justification here.) Pragmatism asserts no first or foundational principles and suggests that all human knowledge is empirical, what John Dewey called “empirical metaphysics.” I confess to being unclear how the philosophical position of pragmatism is a justification for mixed methods—how does the primacy of experience lead to any particular methodology or method? And, is this a confusion of pragmatism with being pragmatic?

Related to this pragmatic justification is the triangulation justification, especially more contemporary notions of triangulation that focus on the complementarity and complexity added by multiple data sources, analyses, and so on. See my discussion of triangulation along these lines here.

Feyerabend’s “anarchist epistemology” might also justify mixed methods, either within the same study or across studies of the same or similar phenomena. This is in the big picture a more dialectical approach, working iteratively across paradigms rather than necessarily combining paradigms.

To justify mixed methods, one must at some level reject the incommensurability argument, i.e., the argument that the differences in epistemological theories cannot be overcome. (Note that the incommensurability argument at the level of the unit of measurement is easily overcome.)

In this article, Sommer Herrits’ illustrates two mixed methods (nested analysis and praxeological knowledge) approaches that operate at the paradigmatic level and result in substantially different emphases. I’ve included her summary comparison of the two approaches below.

Here are some additional resources for further exploring mixed methods…

Bergman, M. (2008). (Ed.) Advances in mixed methods research: Theories and applications. Thousand Oaks, CA: Sage.
Creswell, J. W. & Plano-Clark, V. L. (2018). Designing and Conducting Mixed Methods Research (3rd ed.). Thousand Oaks, CA: Sage.
Greene, J.C. (2007). Mixed methods in social inquiry. San Francisco: Jossey-Bass.
Journal of Mixed Methods Research
Tashakkori, A., & Teddlie, C. (2010). Handbook of mixed methods research. Thousand Oaks, CA: Sage.
Teddlie, C., & Tashakkori, A. (2009). Foundations of mixed methods research. Thousand Oaks, CA: Sage.

And here is a good example of a study using mixed methodology…

Castro, F. G., & Coe, K. (2007). Traditions and alcohol use: A mixed-methods analysis. Cultural Diversity and Ethnic Minority Psychology, 13(4), 269–284. https://doi.org/10.1037/1099-9809.13.4.269

Metaphors… again, and in the time of the pandemic

I’ve written several posts on metaphor… here, here, and here.

In these truly bizarre times when the world has been closed down by the Covid 19 pandemic, we see the power of metaphor. For many, but especially in the USA, UK and even France, the pandemic is a war. This is, of course, metaphoric and makes sense within a frame often used by media and politicians. Within the frame of war, we naturally understand things like life and death; enemies (seen and not seen); battles; front lines; sacrifice; home front.

The virus is often referred to as an “enemy who can strike” ~ anthropomorphizing the virus with the “who” reinforces the enemy as person(s), as a target within the war metaphor. This personification also gives a moral dimension to the virus, it has intention to cause harm, which has been extended to its place of origin (the China Virus) and the repeated efforts to connect the virus to an intentional act of national aggression. This extension also constructs an us and them relationship.

Another component of the metaphor is the characterization of health care workers as being on the front line, doing their duty battling the virus. They are described as heroes in their fight, but they work without the supplies and supports troops in battle enjoy. Some health care workers reinforce this metaphor, others reject it.

 

 

But a pandemic is not a war, a virus has no morality or intention, the virus is not intimidated by force or bombastic rhetoric, and health care workers are not soldiers. The strategies that will contain the virus are inconsistent with war… isolation, for example. Nonetheless, the frame of war with its metaphoric content is meant to rally people in a particular way, to signal who has responsibility and who does not. When rural parts of the USA resist stay at home orders because there are few cases of Covid 19 in their area they see the front line very far from them, and a battle that is being fought elsewhere thus making them safe from the enemy. The public does not embrace measures to safe guard public health, because a small group of others will defeat or at least contain the viral enemy.

The war metaphor also leads to containment of information… information is controlled, limited, and on a need to know basis. The war frame directs attention to divisions among people, to fear, to security and enforcement, and to the use of propaganda and censorship. This stands in stark contrast to countries where the war metaphor is not prevalent, and where information is shared routinely and transparently (for example… Germany, Canada, New Zealand) and through metaphors of science, medicine, and the common good.

Not only is the analogy of war misplaced on factual grounds; it also misses the possibility to cultivate an imagination that builds on narratives of peace, solidarity and social justice – and to foster a more acute understanding of how we are all fundamentally dependent on one another as inhabitants of a shared planet. (Source)

It’s all metaphors, all the time… but different metaphors construct different lived experiences with potentially dramatically different real outcomes.

“For sale: Baby shoes, never worn.”

Six word stories have been around for many years now, instigated by Hemingway’s six word story, the title of this post. (Caution: there is dispute about this authorial  attribution, but I’ll take the story at face value here.) Hemingway’s story contains three elements, a 2-2-2 form. (Another common form is 3 -3 and these forms contribute to the aesthetics of the story.) The first “for sale” calls to mind a recognizable trope, followed by “baby shoes” a recognizable object, but it is the third element that turns this into a story. “Never worn” can invoke many possible meanings, but perhaps most common is the tragedy of child loss. Those baby shoes were never worn, because the baby wasn’t there to wear them.

These examples from reddit show the continued appeal of this genre, and the claim is this is a new genre. A collection of six word stories can be found at Six Word Stories sorted by category. An off-shoot of six word stories is Six Word Memoirs. Most six word stories are published on the internet, rather than in books or journals.

In The Poetics of Six-Word Stories, David Fishelov provides a cogent analysis of six word stories as a genre. He identifies seven (alas not six) features of six word stories:

  1. a chain of events
  2. something implied
  3. punch line structure
  4. poetic/rhythmic structure
  5. realism
  6. contagiousness of the form (you will want to write one too)
  7. predominately a genre in English

Six word stories have only one explicit rule… that they be six words. But looking more analytically at these stories they also seem typically to require something implied, something not explicitly stated in the story… the possible death of the baby in Hemingway’s story. This very short story form has a contemporary appeal in an age of texts, memes, and tweets.

Many six word stories are primarily about the aesthetics, but as the reddit examples illustrate they are also stories filled with meaning and the telling is heart-felt. There are plenty of pedagogical uses of six word stories, but they may be useful in research, especially narrative research. From a research perspective, whether six word stories are literature is less important than whether they provoke reflection, illustrate human experience and meaning, and perhaps whether they are a window through which we can see other stories.

While six word stories stand alone, they might also be prompts for more discussion of experience and meaning… a beginning to a more elaborated story.

Six words, only six words, alas.

 

narrative inquiry ~ what does it look like?

imgresIf you are searching for understanding about what narrative inquiry is, here are some starting points.

There are a number of journals that focus exclusively on narrative analysis/inquiry and so you might want to browse the tables of contents of various issues. There are many more journals (qualitative research focused and topical) that publish narrative analyses, but these will give you a quick entry into the methodology.

  • Narrative and Conflict: Explorations in Theory and Practice
  • Narrative Inquiry in Bioethics: A Journal of Qualitative Research
  • Narrative Inquiry
  • Narrative
  • Narrative Works: Issues, Investigations & Interventions
  • Storyworlds: A Journal of Narrative Studies
  • Journal of Narrative Politics

Here also is a short list of published narrative analysis studies… these are not necessarily exemplary, but they are in different fields, use different kinds of data, and different kinds of analysis. Look at a few (not necessarily for a close reading) to get a better sense of what narrative inquiry looks like. Note that most of these articles are not published in the journals listed above, there are many many journals that publish narrative studies.

the-storyteller

A SAMPLE OF NARRATIVE STUDIES

Bareiss, W. (2015). Adolescent Daughters and Ritual Abjection: Narrative Analysis of Self-Injury in Four US Films. Journal of Medical Humanities.

Boje, D.M. (1991). The Storytelling Organization: A Study of Story Performance in an Office-supply Firm. Administrative Science Quarterly 36:106-126.

Brewer, T. J. & deMarrais, K. (2015). Teacher for America counter-narratives: Alumni speak up and speak out. Peter Lang.

Connelly, F. M., & Clandinin, D. J. (1999). Shaping a professional identity: Stories of educational practice. New York, NY: Teachers College Press.

Dean, R.G. (1995). Stories of AIDS: The Use of Narrative as an Approach to Understanding in an AIDS Support Group. Clinical Social Work Journal 23(3), 287-304.

Elliott, H., Squire, C., &  O’Connell, R. (2017). Narratives of normativity and permissible transgression: Mothers’ blogs about mothering, family and food in resource-constrained times. Forum: Qualitative Social Research, 18(1).

Freeman, M., Mathison, S. & Wilcox, K. (2006) “I hear when. I don’t hear what:” Performing parental dialogues on high stakes testing. Cultural Studies « Critical Methodologies. 6(4).

Frank, A. K. (2016). What is the story with sustainability? A narrative analysis of diverse and contested understandings. Journal of Environmental Studies and Science, 1 – 14.

Gautreaux M. & Delgado, S. (2016). Portrait of a Teach for All (TFA) teacher: Media narratives of the universal TFA teacher in 12 countries. EEPA, 24, 110. http://dx.doi.org/10.14507/epaa.24.2149

Hamilton, H. (2008). Narrative as Snapshot: Glimpses into the Past in Alzheimer’s Discourse. Narrative Inquiry 18(1), 53-82.

Hoecker, R. (2014). Visual narrative and trauma recovery. Narrative Inquiry, 24(2), 259-280.

Langellier, K. (2001). ‘You’re Marked’: Breast Cancer, Tattoo and the Narrative Performance of Identity. In Narrative and Identity: Studies in Autobiography, Self, and Culture, edited by J. Brockmeier and D. Carbaugh. Amsterdam and Philadelphia: John Benjamins.

Minde, J. (2015). Exploring the Nature of Narrative Analysis in Maps: the Case Study of the Georgia-South Ossetia Conflict. Narrative and Conflict: Explorations in Theory and Practice, 2(1), 19-33.

Mumby, D.K. 1993. Narrative and Social Control: Critical Perspectives. Newbury Park: Sage.

Ochs, E., R. Smith, and C. Taylor. (1989). Dinner Narratives as Detective Stories. Cultural Dynamics 2:238-257.

Page, R., Harper, R. & Frobenius, M. (2013). From small stories to networked narrative: The evolution of personal narratives in Facebook status updates. Narrative Inquiry, 23(1), 192-213).

Riessman, C.K. (2000). Stigma and Everyday Resistance Practices: Childless Women in South India. Gender & Society 14(1):111-135.

Sparkes, A. (1996). The fatal flaw: A narrative of the fragile body-self. Qualitative Inquiry, 2(4), 463-494.

Winkel, G. (2014). When the pendulum doesn’t find its center: Environmental narratives, strategies, and forest policy change in the US Pacific Northwest. Global Environmental Change, 27, 84-95.

story versus narrative: a definitional note

Stories have a clear beginning, middle and end and solve a problem, sometimes a dramatic peripeteia and sometimes a small conundrum. Stories are explicit, told and retold.

Narratives are a story made up of many stories and may not have a clear end, and may not have a clear problem or may indeed have many problems within. Narratives are often unseen, unnoticed, unanalyzed, and powerful shapers of human experience.

Take, for example, the American Dream… this is a narrative, one that is manifest in many different contexts… the media, folklore, social institutions.  It is made up of many stories, some of them also possibly narratives. Stories within the American Dream are about work and effort and the relationship between the two; about opportunity, fairness and equality; about rights and responsibilities; about meritocracy and privilege; about democracy. It is a complex narrative which contributes to its power.

 

narrative and social change

There is the telling of a story and the hearing of a story. Researchers often focus on telling the story, whether it is an individual, organizational or cultural story. If narrative is a fundamental as Jerome Bruner and others say it is, then both parts… the telling and the hearing… are equally important. Story telling (narrative) that embraces the goal of social change requires both.

Narrative 4 is an initiative that:

harnesses the power of the story exchange to equip and embolden young adults to improve their lives, communities, and the world.

In workshops, young adults often with very different perspectives and life experiences are paired. Each tells their story and listens to the other’s story, and then each retells the other’s story… in the first person. This role reversal, taking the other’s perspective, is key to the transformative possibility of this approach, which is meant to capitalize on story telling to foster empathy and in school contexts also to:

  • Develop active listening skills
  • Engage in peer-to-peer learning
  • Practice public speaking skills
  • Improve self-reflection and self-awareness
  • Experience an overall increase in positive emotions

Narrative 4 projects focus on the environment, identity, immigration, faith, and violence, and capitalize on polar opposite life experiences and values. They have organized story exchanges with Jewish and Arab teenagers; survivors of the 2010 Haitian earthquake and Hurricane Katrina; victims of gun violence and gun advocatesstudents from poor and elite schools; intergenerational experiences; students and police. 

PhotoVoice is another methodology that has potential to explore narratives that foster awareness and change. Images that tell a story of lived experience are communicated in public presentations to inform and compel attention be paid to social change. Other participatory research approaches can and do incorporate story telling.

Many non-profits offer guidance for using story telling to support social change.

Frameworks Institute

Living Proof: Telling Your Story to Make a Difference (book)

Hatch for Good

Working Narratives

Story for All

StoryCorps

Spark Your Storytelling

 

a (hegemonic) narrative of old age

Perhaps inadvertently, Joseph Davis provides an excellent example of narrative inquiry in his article, No Country for Old Age. This is a cultural narrative, a story of how life is and ought to be lived… a story of what it means to age, and as Davis points out this is a hegemonic narrative, one that compels us to be a certain way.

In our society, to come directly to my point, old age is understood and framed in ways that lead inevitably to its devaluation. Its status is low and arguably is falling.

Davis highlights the role the burgeoning number of blogs play in defining aging, and how they promote defying age. He zeroes in on, Sixty and Me, a “community of 500,000 women over 60.”

Sixty and Me identifies itself as mainstream (no radical diets and exercise regimes). It is also full of advertisements, parts of posts written by experts, often with a product to sell to achieve the goal of aging as an independent, emancipated, enterprising and strong (youthful) woman. Celebrities, like Jamie Lee Curtis, set examples for aging… “If I can challenge old ideas about aging, I will feel more and more invigorated. I want to represent this new way. I want to be a new version of the 70-year-old woman. Vital, strong, very physical, very agile. I think that the older I get, the more yoga I’m going to do.” Aging requires more, not less work. “To look old is to be old.”

Davis looks also at other sources of this cultural narrative about aging… the pathologizing of aloneness into an epidemic of loneliness and the extreme medicalization of aging.

Loneliness has become a disease, one that will hasten your death and therefore must be warded off by vigilant attention to maintaining a social network as the antidote. This “loneliness” is caused by social conditions like high divorce rates, more single parent families, fewer close family networks.

Contributors to the public discussion frame loneliness itself as a kind of medical condition or disorder: It is something one “suffers from,” that is partly heritable, that has characteristic “symptoms” and “risk factors,” can become “chronic,” and needs to be “treated.”

As loneliness is medicalized, so in general is aging. Rather than a phase in the ebb and flow of life and death, being old is an illness (one to ward off as prescribed in blogs) and one that makes older people ever more medically scrutinized. Barbara Ehrenreich’s book Natural Causes analyzes this same narrative. This is a narrative supported by stacks of  self-help books aimed at the aging (including Ehrenreich who is 76) telling them to think in terms  of “active aging”, “productive aging”, “anti-aging”, even “reverse-aging.” A long life is promised to anyone who makes an effort, regardless of factors such as genetics or poverty.

Ehrenreich focuses especially on health checks, not those that are in response to obvious symptoms, but those that search for hidden problems… tests that lead often to false positives and over diagnosis… bone density scans, dental x-rays, mammograms, colonoscopies, CT scans. In part the medicalization of aging is a lucrative business and this is especially true in the US where many older people have health care coverage for the first time in their lives. With a PhD in cellular biology she provides more than a cultural critique.

Davis concludes with this:

Current constructions of old age in individualistic terms of self-reliance, the fit body, productive accomplishments, or an imperative to deny or defeat aging technologically cannot but deepen our predicament and the need to render it invisible.

This narrative of aging is hegemonic, it frames a normative way of being that is difficult to resist and overcome.  But, many experience aging not as a failure and consciously chose a different narrative, one that sees aging as something other than a poor approximation of youth. Aging sets limits, often vulnerability and dependence, or as Ehrenreich says, “an accumulation of disabilities,” all of which might be framed not in terms of youth but rather  the ethic of a well-lived life.

Narratives of stages of life are profound and powerful, they are culturally constructed and often become hegemonic… fortunately, human storytelling abilities opens possibilities to overcome their oppressiveness.

CAQDA ~ helpful hints and resources

Online QDA is a good resource to orient yourself to what computer assisted data analysis is and is not, preparing data for various software programs, and coding.

This site has videos, details about the most commonly used software packages, and useful references throughout.

Resources

QDA Software

ATLASti
DeDoose
The Ethnograph
HyperQualLite
HyperRESEARCH
MAXQDA
NVivo
QDA Miner
TAMS Analyzer
Textalyser
The Observer Collection
VisualText™
webQDA  
WEFT QDA
WordStat

Other Tools

Digital Research Tools Directory: DiRT
Evernote
Storyspace